From: <Saved by Windows Internet Explorer 7>
Subject: What Is
Date: Tue, 22 May 2007 08:16:10 -0500
MIME-Version: 1.0
Content-Type: text/html;
	charset="utf-8"
Content-Transfer-Encoding: quoted-printable
Content-Location: http://web.archive.org/web/20040222185008/www.solidsurfacemagazine.com/what_is.htm
X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.3028

=EF=BB=BF<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>What Is</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3Dutf-8">
<META content=3D"MSHTML 6.00.6000.16441" name=3DGENERATOR>
<META content=3DFrontPage.Editor.Document name=3DProgId>
<META content=3D"tb, default" name=3D"Microsoft Border"></HEAD>
<BODY><!--msnavigation-->
<TABLE cellSpacing=3D0 cellPadding=3D0 width=3D"100%" border=3D0>
  <TBODY>
  <TR>
    <TD>
      <DIV align=3Dcenter>
      <CENTER>
      <TABLE cellSpacing=3D0 cellPadding=3D0 width=3D640 border=3D0>
        <TBODY>
        <TR>
          <TD>
            <DIV align=3Dcenter>
            <TABLE cellSpacing=3D0 cellPadding=3D0 width=3D665 =
border=3D0>
              <TBODY>
              <TR>
                <TD align=3Dmiddle width=3D663><IMG height=3D67 src=3D"" =
width=3D500=20
                  border=3D0></TD></TR>
              <TR>
                <TD align=3Dmiddle width=3D663><A=20
                  =
href=3D"http://www.solidsurfacemagazine.com/INDEX.HTM"><FONT=20
                  face=3DArial color=3D#000080 =
size=3D1>Home</FONT></A><FONT=20
                  face=3DArial color=3D#000000 size=3D1> |</FONT> <A=20
                  =
href=3D"http://www.solidsurfacemagazine.com/fabricator_section.htm"><FONT=
=20
                  face=3DArial color=3D#000080 =
size=3D1>Fabricators</FONT></A><FONT=20
                  face=3DArial color=3D#000000 size=3D1> | </FONT><A=20
                  =
href=3D"http://www.solidsurfacemagazine.com/consumers.htm"><FONT=20
                  face=3DArial color=3D#000080 =
size=3D1>Consumers</FONT></A><FONT=20
                  face=3DArial color=3D#000080 size=3D1> </FONT><FONT =
face=3DArial=20
                  color=3D#000000 size=3D1>|</FONT> <A=20
                  =
href=3D"http://www.solidsurfacemagazine.com/ARCHIVE.HTM"><FONT=20
                  face=3DArial color=3D#000080 =
size=3D1>Archives</FONT></A><FONT=20
                  face=3DArial color=3D#000080 size=3D1> | </FONT><A=20
                  =
href=3D"http://www.solidsurfacemagazine.com/advertise.htm"><FONT=20
                  face=3DArial color=3D#000080 size=3D1>Mfgs. =
Showcase</FONT></A><FONT=20
                  face=3DArial color=3D#000080 size=3D1> |</FONT> <A=20
                  =
href=3D"http://www.solidsurfacemagazine.com/products_&amp;_suppliers.htm"=
><FONT=20
                  face=3DArial color=3D#000080 =
size=3D1>Directory</FONT></A><FONT=20
                  face=3DArial color=3D#000080 size=3D1> |</FONT> <A=20
                  =
href=3D"https://cygweb4.cygnuspub.com/Subscriptions/Sub_Form.cfm?ipub_cod=
e=3D211"><FONT=20
                  face=3DArial color=3D#000080 size=3D1>Subscribe =
</FONT></A><FONT=20
                  face=3DArial color=3D#000080 size=3D1>|</FONT> <A=20
                  =
href=3D"http://www.solidsurfacemagazine.com/staging/introduction.htm"><FO=
NT=20
                  face=3DArial color=3D#000080 size=3D1>Media Kit</FONT> =
</A><FONT=20
                  face=3DArial color=3D#000080 size=3D1>|</FONT> <A=20
                  =
href=3D"http://www.solidsurfacemagazine.com/solid_surface_in_europe.htm">=
<FONT=20
                  face=3DArial color=3D#000080 =
size=3D1>Europe</FONT></A><FONT=20
                  face=3DArial color=3D#000080 size=3D1> |</FONT> <A=20
                  =
href=3D"http://www.solidsurfacemagazine.com/EDITOR.HTM"><FONT=20
                  face=3DArial color=3D#000080 size=3D1>Contact =
Us</FONT></A><FONT=20
                  face=3DArial color=3D#000080 size=3D1> | </FONT><A=20
                  =
href=3D"http://www.solidsurfacemagazine.com/classifieds.htm"><FONT=20
                  face=3DArial color=3D#000080 =
size=3D1>Classifieds</FONT></A><A=20
                  =
href=3D"http://www.solidsurfacemagazine.com/TEMP/classifieds.htm"><FONT=20
                  face=3DArial color=3D#000080 =
size=3D1><BR></FONT></A><FONT=20
                  face=3DArial color=3D#000080 size=3D1>| </FONT><A=20
                  =
href=3D"http://www.solidsurfacemagazine.com/onlinead.asp"><FONT=20
                  face=3DArial color=3D#000080 size=3D1>Online=20
                =
Advertising</FONT></A></TD></TR></TBODY></TABLE></DIV></TD></TR>
        <TR>
          <TD align=3Dmiddle=20
  =
width=3D"100%"></TD></TR></TBODY></TABLE></CENTER></DIV></TD></TR><!--msn=
avigation--></TBODY></TABLE><!--msnavigation-->
<TABLE cellSpacing=3D0 cellPadding=3D0 width=3D"100%" border=3D0>
  <TBODY>
  <TR><!--msnavigation-->
    <TD vAlign=3Dtop><B>
      <DIV align=3Dcenter>
      <CENTER>
      <TABLE width=3D"75%" border=3D0>
        <TBODY>
        <TR>
          <TD width=3D"100%"><B>
            <P align=3Dcenter><FONT color=3D#800000 size=3D6>What is =
Solid=20
            Surface?</FONT></P></B>
            <CENTER></CENTER>
            <P align=3Dright><FONT face=3DArial size=3D2>By Mike =
Duggan</FONT></P>
            <P align=3Dleft><FONT face=3DArial size=3D2>There is =
something special=20
            about solid surface. The look on the face of a 20-year =
woodworker=20
            who has just finished his first seam; the look on the face =
of the=20
            homeowner at a kitchen &amp; bath show who strokes a solid =
surface=20
            countertop for the first time. We can all remember that =
excitement,=20
            which probably got us involved with the stuff in the first =
place.=20
            But what is it?</FONT></P>
            <CENTER>
            <P><FONT face=3DArial size=3D2>Listening to one fabricator's =
story=20
            helped put the question into perspective. "You know how it =
goes in a=20
            presentation for an architect. You wait an hour, and then =
get=20
            ushered into a conference room and told, 'You've got five=20
            minutes.'</FONT></P>
            <P><FONT face=3DArial size=3D2>So you go in with your =
suitcase, set it=20
            up on the conference table and open it up so that the guy =
can't see=20
            what's in it. While you're doing this you're saying, 'Corian =
is=20
            sheets and shapes. Here's a sheet.' With that you take a =
polished=20
            Corian sphere and you roll it down the table at the =
surprised=20
            architect. Now the guy is jumping up and looking in the =
suitcase (at=20
            color palettes, another sphere inside a cube, etc.), and now =
he's=20
            calling out into the hall, 'Hey, come in here and look at =
this=20
            stuff!'"</FONT></P><B>
            <P><FONT face=3DArial color=3D#800000 size=3D2>What Does it=20
            Do?</FONT></P></B>
            <P><FONT face=3DArial size=3D2>The heart of solid surface is =
that bundle=20
            of properties that make it a unique product: its performance =

            characteristics. Some performance characteristics that all =
solid=20
            surfaces share are:</FONT></P><B>
            <P><FONT color=3D#008000>1. It's solid</FONT></B><FONT =
face=3DArial=20
            size=3D2><FONT color=3D#008000>. </FONT>The sheet or shape =
must be=20
            "homogeneous"--that is, the color or pattern must be =
absolutely=20
            consistent throughout every part. This makes it very unlike=20
            gel-coated products such as cultured marble, or laminated =
products=20
            such as plywood or plastic laminate. It also makes it a =
little bit=20
            like wood, but without knots or grain.</FONT></P><B>
            <P><FONT color=3D#008000>2. It's machinable.</FONT></B> =
<FONT=20
            face=3DArial size=3D2>Don Slocum might call this a bogus =
distinction,=20
            since as he says, "With the right tools anything is =
machinable," but=20
            others see that most solid surfaces are machinable with =
woodworking=20
            tools. This might be what gives solid surface much of its =
magic. It=20
            is immediately tied into an ancient tradition --woodworking, =

            cabinetry, joinery--that remains fresh and vital as ever. =
Most=20
            woodworkers love solid surface, because, they say, you can =
do so=20
            much with it. Craftmanship and the skill of the artisan =
remain an=20
            integral part of the solid surface picture.</FONT></P>
            <P><FONT face=3DArial size=3D2>Part of being machinable is =
that it's=20
            repairable, although there are gray areas here, as there are =
with=20
            most of these characteristics. Quartz sinks are not =
repairable--are=20
            they solid surface? (if not what are they?) Is a 1/4" =
wetwall panel=20
            that has been glued to a piece of sheetrock truly=20
            repairable?</FONT></P><B>
            <P><FONT color=3D#008000>3. It's hard.</FONT></B> <FONT =
face=3DArial=20
            size=3D2>(But as we've seen above, maybe not too hard.) =
There is a=20
            range here, but it is not clearly defined. The tests on the =
Spec=20
            Data sheets that are supposed to clarify things (steel balls =
dropped=20
            from different heights, etc.) seem only to make things less =
clear.=20
            Suffice it to say: harder than wood, not as hard as steel.=20
            Hard.</FONT></P><B>
            <P><FONT color=3D#008000>4. It's non-porous.</FONT></B> =
<FONT=20
            face=3DArial size=3D2>Speaking chemically and technically, =
nothing is=20
            100% non-porous. But solid surface is very close. It is =
unaffected=20
            by water and changes in humidity.</FONT></P><B>
            <P><FONT color=3D#008000>5. It's stain and=20
            chemical-resistant.</FONT></B> <FONT face=3DArial =
size=3D2>Most=20
            household staining agents and chemicals, and even some =
industrial=20
            chemicals, will not damage it.</FONT></P><B>
            <P><FONT color=3D#008000>6. It's =
fire-resistant.</FONT></B><FONT=20
            face=3DArial size=3D2><FONT color=3D#008000> </FONT>Again, =
there are gray=20
            areas here. Avonite's class III colors, though certainly =
solid=20
            surface, are manufactured for a specific market requirement =
and are=20
            not fire-resistant. But most solid surfaces are =
fire-resistant or=20
            fire-retardant.</FONT></P><B>
            <P><FONT color=3D#008000>7. It endures.</FONT></B> <FONT =
face=3DArial=20
            size=3D2>This is reflected by all these multi-year consumer=20
            warranties. Solid surface, unless damaged, should remain=20
            unchanged--for how long? Theoretically, based on what we =
know about=20
            the chemistry of the stuff, hundreds of years is not =
far-fetched.=20
            The oldest Corian installations of 29-30 years certainly =
seem to=20
            support this conclusion.</FONT></P><B>
            <P><FONT color=3D#008000>8. It is esthetically =
pleasing.</FONT></B>=20
            <FONT face=3DArial size=3D2>It has beauty, a look, a "feel." =
It is a=20
            decorative surface, made to be seen.</FONT></P><B>
            <P><FONT face=3DArial color=3D#800000 size=3D2>What's In=20
It?</FONT></P></B>
            <P><FONT face=3DArial size=3D2>Most solid surface materials =
combine two=20
            main ingredients: a natural mineral (the "filler") and a =
resin (the=20
            "binder"), along with various additives. These are combined =
and then=20
            cast in a curing process that results in a sheet or a=20
            shape.</FONT></P><B>
            <P><FONT face=3DArial color=3D#800000 =
size=3D2>ATH</FONT></P></B>
            <P><FONT face=3DArial size=3D2>The filler of choice in most =
solid=20
            surface has an unglamorous name: alumina tri-hydrate, or =
"ATH." We=20
            talked with Don Mills, market manager for cast polymers of =
the J.M.=20
            Huber Corp.'s Engineered Minerals Division, to get the =
"scoop" on=20
            ATH.</FONT></P>
            <P><FONT face=3DArial size=3D2>ATH is refined from bauxite =
ore (in a=20
            process called the "Bayer" process, in case all this =
technical stuff=20
            starts giving you a headache), and looks like a tan powder. =
Bauxite=20
            is a form of clay, which means that when it comes to the =
natural vs.=20
            artificial thing, solid surface starts as one of the most =
abundant=20
            and natural minerals on earth. The tan color comes from =
organic=20
            contaminants called "hubites," and means that most ATH used =
in solid=20
            surface must be refined again to get a special "white" =
grade. This=20
            grade has a high degree of translucency and allows for =
bright, pure=20
            light colors, especially white.</FONT></P>
            <P><FONT face=3DArial size=3D2>ATH has great physical =
properties. It has=20
            excellent chemical and stain resistance; excellent =
water-resistance;=20
            nice translucency; hard enough to give superb =
impact-resistance but=20
            "soft" enough to be machinable; and one last almost magical=20
            property: not only will it not burn, but because it has =
"water in=20
            hydration," when attacked by heat ATH actually releases =
steam. This=20
            makes it a natural fire-retardant.</FONT></P>
            <P><FONT face=3DArial size=3D2>ATH can comprise 45-70% of a =
sheet of=20
            solid surface. It would stand to reason, then, that the =
price of ATH=20
            should have a lot to do with the price of solid surface. The =
price=20
            of ATH today, in fact, is at an all-time high, but why that =
is true=20
            has very little to do with solid surfacing, according to Don =
Mills.=20
            Only 5-7% of all the ATH sold in North America goes into =
chemical=20
            applications, and only about 15% of this number goes into =
"polymer=20
            applications," like solid surface. The vast majority goes to =
make=20
            aluminum metal, and therein lies an interesting =
tale.</FONT></P>
            <P><FONT face=3DArial size=3D2>Smelting alumina into =
aluminum requires=20
            huge amounts of electricity, which meant that the former =
Soviet=20
            Union, with vast hydroelectric power reserves, was a major =
producer=20
            of aluminum. With the breakup of the Soviet Union, the world =
lost=20
            much of this production capacity, so because of the laws of =
supply=20
            and demand, prices have skyrocketed. Amazing--democracy in =
Moscow=20
            means pricey countertops in New York!</FONT></P><B>
            <P><FONT face=3DArial color=3D#800000 size=3D2>Other=20
Fillers</FONT></P></B>
            <P><FONT face=3DArial size=3D2>Other materials have been =
used as fillers=20
            for solid surface. Calcium carbonate was used in the first =
Corian=20
            sheets (see box). Quartz is used to make some sinks, but =
yields a=20
            material too hard and brittle to be easily machinable. =
Swanstone=20
            uses glass fibers to add strength and impact-resistance to =
its=20
            product. Special fillers like glass beads have been tried =
and used=20
            to achieve specific effects. And then there is the Midwest =
company=20
            which manufacturers a "solid surface" using a =
environmentally-safe=20
            filler of recycled newsprint!</FONT></P><B>
            <P><FONT face=3DArial color=3D#800000 size=3D2>No =
Fillers</FONT></P></B>
            <P><FONT face=3DArial size=3D2>Avonite's Class III colors =
contain no ATH=20
            at all. This is a conscious choice, according to Wayne =
Rutledge,=20
            head of Commercial Development at Avonite, a choice which =
responds=20
            to a specific demand of the marketplace. Scratches in dark =
colors of=20
            solid surface materials filled with ATH show white (because =
of the=20
            whiteness of the ATH), and also encounter the finishing =
problem=20
            called "whitecapping," where sanding results in white =
blemishes.=20
            Avonite's Class III colors solve this problem by being pure =
resin.=20
            By losing ATH, they also lose many of its benefits, chiefly=20
            fire-resistance, but also some hardness. It is a trade-off,=20
            according to Rutledge, but one that allows Avonite to =
provide its=20
            customers with a range of dark, extremely rich, deep-looking =
colors=20
            that they can't get anywhere else. "We could make Avonite as =
hard as=20
            iron if we wanted to. The trouble is, it would look like=20
            iron."</FONT></P><B>
            <P><FONT face=3DArial color=3D#800000 =
size=3D2>Resins</FONT></P></B>
            <P><FONT face=3DArial size=3D2>Two main "families" of resins =
are used to=20
            make solid surface: acrylic and polyester. A purely =
acrylic-based=20
            resin yields a sheet that is thermoformable--that is, it can =
be=20
            heated, bent to a new shape, and cooled without any loss of =
its=20
            performance characteristics. The other chief difference =
between=20
            acrylic and polyester resins is that acrylics are unaffected =
by the=20
            ultraviolet rays present in natural light.</FONT></P>
            <P><FONT face=3DArial size=3D2>Polyester resins (including =
those which=20
            are "acrylic-modified," that is, mixed with acrylic resins) =
are used=20
            in many high-strength demanding applications besides solid=20
            surfacing, including outdoor applications like boats and =
aircraft=20
            cowlings. Solid surface products made with these resins are=20
            generally not considered to be thermoformable, although some =

            manufacturers as well as fabricators do in fact cite some=20
            thermoformability for their products.</FONT></P>
            <P><FONT face=3DArial size=3D2>Both acrylic and polyester =
resins start=20
            life as petroleum, and thus their cost is tied at least =
indirectly=20
            to the price of oil. But other supply and demand factors =
enter in to=20
            make the chemical market extremely volatile (no pun =
intended)=20
            price-wise. At today's prices, acrylic is two to three times =
the=20
            cost of polyester.</FONT></P><B>
            <P><FONT face=3DArial color=3D#800000 =
size=3D2>Additives</FONT></P></B>
            <P><FONT face=3DArial size=3D2>Every solid surface product =
contains=20
            numerous additives. These include pigments, but also a host =
of=20
            additives that improve or enhance chemical and performance=20
            properties, or even affect such mundane things as the "pot =
life" of=20
            the resin in transit and storage : UV absorbers, =
cross-linking=20
            agents, stabilizers, the list goes on. Every solid surface =
product=20
            continually changes its additives with improvements in =
technology,=20
            carefully tweaking their products in a process of =
"continuous=20
            improvement," in the phrase of Dave Nickles, Supply Chain =
Manager=20
            for Dupont Corian. One important additive which all solid =
surfaces=20
            share is a catalyst. This is the chemical, usually a =
peroxide, which=20
            causes the mixture to harden, or cure.</FONT></P><B>
            <P><FONT face=3DArial color=3D#800000 =
size=3D2>Casting</FONT></P></B>
            <P><FONT face=3DArial size=3D2>The way a solid surface is =
"cast" is=20
            generally a simple one. The resin "syrup" is mixed with the=20
            additives and fillers and then poured into a mold, usually =
open,=20
            sometimes closed (usually closed for shaped products). It is =

            important that no air bubbles are entrapped in the mix, as =
this=20
            would result in voids in the material. This is accomplished =
in=20
            different ways, from simple adjusting of the viscosity of =
the mix to=20
            vibrating casting tables and other more exotic=20
methods.</FONT></P><B>
            <P><FONT face=3DArial color=3D#800000 =
size=3D2>Curing</FONT></P></B>
            <P><FONT face=3DArial size=3D2>"Curing" means allowing the =
chemical=20
            reactions that form the solid surface product to be as close =
to 100%=20
            complete as possible, leaving a stable, inert material with =
all its=20
            performance properties intact. Some solid surfaces cure=20
            "autogenically,"--by themselves in the open air. Others cure =
by=20
            being bathed in steam or heated in ovens. Many polyester =
resins=20
            require "post-curing" operations, usually a heating-cooling =
cycle=20
            which increases the degree of cure. Careful curing of solid =
surfaces=20
            is a critical part of the manufacturing process. An =
improperly=20
            controlled cure can cause "boil"--that is, air bubbles =
appearing in=20
            the material--effectively ruining it as a solid surface. =
Carefully=20
            controlling temperatures during curing is an effective way =
of=20
            reducing this risk.</FONT></P>
            =
<P>&nbsp;</P></CENTER></TD></TR></TBODY></TABLE></CENTER></DIV></B>
      <TABLE width=3D"100%" border=3D0>
        <TBODY>
        <TR>
          <TD width=3D"50%">
            <P align=3Dright><A=20
            =
href=3D"http://www.solidsurfacemagazine.com/information.htm">BACK</A></P>=
</TD>
          <TD =
width=3D"50%"></TD></TR></TBODY></TABLE>&nbsp;<!--msnavigation--></TD></T=
R><!--msnavigation--></TBODY></TABLE><!--msnavigation-->
<TABLE cellSpacing=3D0 cellPadding=3D0 width=3D"100%" border=3D0>
  <TBODY>
  <TR>
    <TD>
      <P>&nbsp;</P></TD></TR><!--msnavigation--></TBODY></TABLE>
<SCRIPT language=3DJavascript>=0A=
<!--=0A=
=0A=
// FILE ARCHIVED ON 20040222185008 AND RETRIEVED FROM THE=0A=
// INTERNET ARCHIVE ON 20070522131215.=0A=
// JAVASCRIPT APPENDED BY WAYBACK MACHINE, COPYRIGHT INTERNET ARCHIVE.=0A=
// ALL OTHER CONTENT MAY ALSO BE PROTECTED BY COPYRIGHT (17 U.S.C.=0A=
// SECTION 108(a)(3)).=0A=
=0A=
   var sWayBackCGI =3D "http://web.archive.org/web/20040222185008/";=0A=
=0A=
   function xResolveUrl(url) {=0A=
      var image =3D new Image();=0A=
      image.src =3D url;=0A=
      return image.src;=0A=
   }=0A=
   function xLateUrl(aCollection, sProp) {=0A=
      var i =3D 0;=0A=
      for(i =3D 0; i < aCollection.length; i++) {=0A=
         if (typeof(aCollection[i][sProp]) =3D=3D "string") { =0A=
          if (aCollection[i][sProp].indexOf("mailto:") =3D=3D -1 &&=0A=
             aCollection[i][sProp].indexOf("javascript:") =3D=3D -1) {=0A=
            if(aCollection[i][sProp].indexOf("http") =3D=3D 0) {=0A=
                aCollection[i][sProp] =3D sWayBackCGI + =
aCollection[i][sProp];=0A=
            } else {=0A=
                aCollection[i][sProp] =3D sWayBackCGI + =
xResolveUrl(aCollection[i][sProp]);=0A=
            }=0A=
         }=0A=
         }=0A=
      }=0A=
   }=0A=
=0A=
   xLateUrl(document.getElementsByTagName("IMG"),"src");=0A=
   xLateUrl(document.getElementsByTagName("A"),"href");=0A=
   xLateUrl(document.getElementsByTagName("AREA"),"href");=0A=
   xLateUrl(document.getElementsByTagName("OBJECT"),"codebase");=0A=
   xLateUrl(document.getElementsByTagName("OBJECT"),"data");=0A=
   xLateUrl(document.getElementsByTagName("APPLET"),"codebase");=0A=
   xLateUrl(document.getElementsByTagName("APPLET"),"archive");=0A=
   xLateUrl(document.getElementsByTagName("EMBED"),"src");=0A=
   xLateUrl(document.getElementsByTagName("BODY"),"background");=0A=
   var forms =3D document.getElementsByTagName("FORM");=0A=
   if (forms) {=0A=
       var j =3D 0;=0A=
       for (j =3D 0; j < forms.length; j++) {=0A=
              f =3D forms[j];=0A=
              if (typeof(f.action)  =3D=3D "string") {=0A=
                 if(typeof(f.method)  =3D=3D "string") {=0A=
                     if(typeof(f.method) !=3D "post") {=0A=
                        f.action =3D sWayBackCGI + f.action;=0A=
                     }=0A=
                  }=0A=
              }=0A=
        }=0A=
    }=0A=
=0A=
=0A=
//-->=0A=
</SCRIPT>
</BODY></HTML>
